* ‘The Sifl & Olly Show” is broadcast weeknights at 8 on MTV. It’s just got a personality and individuality that’s unparalleled.” “It’s the kind of television we want to be doing. “We’re looking for it to find a huge audience some day,” says Miller, explaining the show’s new prime-time slot. So when the network ran out of original shows and tired of running reruns last fall, it quietly dropped the show, igniting an Internet-based protest of letter-writing campaigns and fan club foundings. And although the show received little promotion and aired at 12:30 a.m., it quickly found an audience. MTV had quietly rolled the program out during the summer after taping just 20 half-hour episodes. The network took its share of flak when it abruptly pulled the show last fall. The unflappable Sifl, for example is cool and confident, as is Crocco Olly and Lynch are excitable, talkative and expressive. The socks-one white, one black-even have their own distinct personalities, which mirror those of their creators.
Sifl and olly all seasons how to#
I just took some socks out of my drawer.”Īs socks go, however, these two manage to convey an amazing amount of moods and facial expressions during tangential musing on topics ranging from wicker bathtubs, how to convert a room into an aquarium or what came first, ice or man? So though Lynch handles all the puppetry, he admits that he doesn’t “really care about puppets all that much. The show’s charm is almost exclusively a product of its simplicity. “It’s very important to put out programming that’s branded to the network. “The driving force behind this television isn’t, to my mind, it’s got to be cheap,” Miller says. Indeed, the cable network has produced such cult classics as “Celebrity Death Match,” “Beavis and Butt-head” and “Super Adventure Team” on budgets that are just a fraction of what the major networks spend on prime-time programming.
Sifl and olly all seasons series#
“When you find something creative, you don’t necessarily have to throw hundreds of thousands or millions of dollars at it to make it good,” says John Miller, a senior vice president of original series development at MTV and an executive producer of the show. The show is produced that way, MTV says, because it works, not because it’s cheaper. “It’s edited in someone’s house too,” Lynch adds. Lynch, who was part of the Liverpool institute’s first graduating class, then performs the puppetry to the soundtrack in a living room of another friend’s house in the San Fernando Valley. Sound for the show is recorded at a friend’s house in Nashville. In fact, in terms of production, “Sifl & Olly” is just a step above “America’s Funniest Home Videos”-and a small step at that. And despite the use of elaborate lighting techniques and some interesting special effects, that figure’s probably not too far off the mark. “The show costs about $13.50 an episode to make,” Lynch jokes. The cable network, which has consciously sought programming that is offbeat and low-tech, offered to develop the idea into a half-hour series. When he did, however, it proved worth the wait. But it was 18 months before Brian Graden, an executive vice president of programming for MTV, returned any of Lynch’s several dozen phone calls about using the video clips here.
The Europeans loved the puppets and quickly began using the video clips as buffers between shows. Before Lynch sent the original videos off to Crocco, he made copies of 10 short skits and sent those tapes to MTV and its European counterpart, MTV Europe. It’s that quirky unpredictability that sold MTV on the show-although it was anything but an easy sell in the States.
0 kommentar(er)
